{"product_id":"absolute-movie","title":"Absolute Movie SLOG-3 PowerGrade (Davinci Resolve)","description":"\u003cdiv id=\"comp-majcalm75\" class=\"N8MGzv _v6ohL AWXfZq PO9MfV comp-majcalm75 wixui-rich-text\" data-testid=\"richTextElement\"\u003e\n\u003ch2 dir=\"ltr\" aria-level=\"4\"\u003eAbsolute Movie: DaVinci Resolve PowerGrade for Sony S-Log3\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eA full 20-node cinematic finishing pipeline, not just a color preset. Drop it on your S-Log3 clip and get a graded, film-textured image in one click.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMost grades give you a look and leave you to fix the rest. Absolute Movie is a complete node-based workflow that handles color management, correction, creative color, film texture and finishing, all labeled and organized so you can see what each stage does and adjust only what you need.\u003c\/p\u003e\n\u003ch3 dir=\"ltr\" aria-level=\"5\"\u003eWhat’s inside\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e1. Color-managed foundation (CST IN → CST OUT)\u003c\/strong\u003e\u003cbr\u003eThe grade starts with a Color Space Transform that takes your S-Log3 footage into a wide-gamut working space, and finishes with output transforms back to Rec.709. Highlights roll off smoothly and colors don’t clip or go muddy.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e2. Primary correction (Exposure, WB, Contrast, HSV Sat)\u003c\/strong\u003e\u003cbr\u003eFour separate nodes, each with one job:\u003c\/p\u003e\n\u003cul dir=\"ltr\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eExposure\u003c\/strong\u003e to set your base level\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWB\u003c\/strong\u003e to fix white balance without touching anything else\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eContrast\u003c\/strong\u003e to shape your tonal range\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHSV Sat\u003c\/strong\u003e for clean saturation control that doesn’t blow out your colors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e3. Targeted control (Mask 01–04 + layer mixer)\u003c\/strong\u003e\u003cbr\u003eFour dedicated mask nodes feed a layer mixer, so you can adjust [sky \/ skin tones \/ highlights \/ shadows, rename to match what yours do] independently without building your own qualifiers. Each mask is a separate node, so you can disable one with a single click.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e4. The look (LUT node)\u003c\/strong\u003e\u003cbr\u003eA dedicated LUT node carries the final color character of the grade. It sits in its own node, so you can lower its intensity or bypass it completely.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e5. Film texture and finishing\u003c\/strong\u003e\u003cbr\u003eThis is what separates Absolute Movie from a basic color preset:\u003c\/p\u003e\n\u003cul dir=\"ltr\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eGrain\u003c\/strong\u003e: film grain applied through a mask, so it sits where it should and not evenly over the whole frame\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDehaze\u003c\/strong\u003e: adds depth and punch to flat scenes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGlow\u003c\/strong\u003e: soft bloom around bright areas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHalation\u003c\/strong\u003e: the warm red-orange edge glow around highlights you see on real film stock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Blur\u003c\/strong\u003e: gentle softness for a vintage lens feel\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRGB Split\u003c\/strong\u003e: subtle chromatic aberration for an optical, imperfect look\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSharpen\u003c\/strong\u003e: restores crispness after the softening effects above\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003eEvery effect has its own labeled node so you can easily modify the look.\u003c\/p\u003e\n\u003ch3 dir=\"ltr\" aria-level=\"5\"\u003eWhy it works\u003c\/h3\u003e\n\u003cul dir=\"ltr\"\u003e\n\u003cli\u003eBuilt on a proper color-managed workflow, so exposure changes behave predictably\u003c\/li\u003e\n\u003cli\u003eEvery node is labeled and organized in a logical order\u003c\/li\u003e\n\u003cli\u003eNon-destructive: bypass or tweak any stage\u003c\/li\u003e\n\u003cli\u003eWorks on S-Log3 footage but can easily be tweaked for other color profiles as well.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 dir=\"ltr\" aria-level=\"5\"\u003eRequirements\u003c\/h3\u003e\n\u003cul dir=\"ltr\"\u003e\n\u003cli\u003eDaVinci Resolve \u003cstrong\u003eStudio\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eFootage shot in \u003cstrong\u003eSony S-Log3 \/ S-Gamut3.Cine\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eProject color science set to \u003cstrong\u003eDaVinci YRGB\u003c\/strong\u003e (not Resolve Color Managed), since the grade handles its own color transforms\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Drone Supremacy","offers":[{"title":"Default Title","offer_id":59043840459083,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0275\/4179\/9023\/files\/Absolute_Movie_box.png?v=1793276357","url":"https:\/\/supremacyshop.com\/products\/absolute-movie","provider":"Drone Supremacy","version":"1.0","type":"link"}